Las óleos de todo Jan van Huysum
ID Image  Painting (From A to Z)       Details 
2223  
Jan van Huysum, Basket of Flowers
  		 Basket of Flowers  
59421  
Jan van Huysum, Bouquet of Flowers in an Urn by Jan van Huysum,
  		 Bouquet of Flowers in an Urn by Jan van Huysum,   "Bouquet of Flowers in an Urn" by Jan van Huysum, from 1724.
2218  
Jan van Huysum, Flowers
  		 Flowers   1722 The Hermitage, St.Petersburg
2220  
Jan van Huysum, Fruit Still Life
  		 Fruit Still Life   Rijksmuseum, Amsterdam
2221  
Jan van Huysum, Hollyhocks and other Flowers in a Vase
  		 Hollyhocks and other Flowers in a Vase   1710 National Gallery, London
2216  
Jan van Huysum, Still Life of Flowers in a Vase on a Marble Ledge
  		 Still Life of Flowers in a Vase on a Marble Ledge  
2225  
Jan van Huysum, Still Life with Flower
  		 Still Life with Flower  
2231  
Jan van Huysum, Still Life with Fruit and Flowers
  		 Still Life with Fruit and Flowers  
74520  
Jan van Huysum, Still-life of grapes and a peach on a table-top
  		 Still-life of grapes and a peach on a table-top   17th century cjr
67363  
Jan van Huysum, stilleben
  		 stilleben   se
2228  
Jan van Huysum, Vase of Flowers on a Socle
  		 Vase of Flowers on a Socle  
Jan van Huysum
1682-1749 Dutch Jan Van Huysum Galleries He was the brother of Jacob van Huysum, and the son of Justus van Huysum, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter. Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.



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